music & lyrics by Stephen Schwartz
by John-Michael Tebelak
directed by Mensah Robinson
musical directors Tom Morris & Jessica Smith
choreographer Sarah Lorenzini
produced by Sara Mariano
Auditions for Godspell will take place on Sunday, February 1st from 1pm – 4pm at The Brookfield Theater for the Arts.
Please come with a resume and headshot if you have them (we will be providing audition forms to complete and can take a picture of you if you don’t!).
All those auditioning will be asked to perform a celebrity impersonation of their choice. We may ask for script passages to be read in that voice (will be provided at the audition).
Please prepare a contemporary up-tempo song in the style of the show (pop/rock or pop/theatre is ok) which shows range. Females with a high belt should choose a song that reflects the belt. Also prepare a ballad of your choice. Be prepared to sing only a 32 bar section of each if time does not permit further. Please bring clear sheet music for the accompanist. A short musical side from the show may be given upon arrival, to determine sight reading ability.
A short dance routine will be taught to demonstrate your movement ability.
Also, if you have any tricks that you can perform (i.e. handstands, cartwheels, back walkovers, etc), please be ready to show them off at auditions!
If you have any questions, please contact Sara Mariano (email@example.com).
Look forward to seeing you there!
*If invited, callbacks will take place Monday evening on February 2nd. Location and time TBD.
Please watch for the upcoming announcements for the rest of our 2015 season auditions.
For more information contact firstname.lastname@example.org.
For myself, as a director who has conducted auditions in a variety of venues, the most important aspect of your audition is your ENERGY and ENTHUSIASM. There are however, some simple DO’s and DONT’s that can help you to maximize your potential, show off your talent and get the most out of your experience. This is a general list; please see the show’s audition notice for any specifics.
DO — come prepared with a picture and concise resume.
DO — dress in comfortable, but professional attire; this is a job interview.
DO — arrive early to get settled and sign in before the audition time.
DO — choose an audition song in your vocal range that shows off your voice.
DO — choose an audition song similar in style to the show for which you are
auditioning. It is usually best to avoid singing from the show itself unless otherwise
DO — have your music neatly secured in a binder or taped together accordion style to avoid page turns. (the accompanist is your best friend in this situation)
DO — take a moment to set tempo with the accompanist.
DO — have your song memorized.
DO — become familiar with the music from the show.
DON’T — ask to sing a cappella.
DON’T — ask the accompanist to transpose your music.
DON’T — choreograph your song. If you are auditioning for a dance role, there will be a separate dance audition.
DON’T — apologize or make excuses for your performance. Enjoy the experience and present your piece to the best of your ability.
DO — have appropriate dance attire.
DO — realize that not everyone is expected to be a trained dancer, but if you are auditioning for musical theatre, chances are that the director or choreographer will want to see you move.
DON’T — apologize; perform the choreography to the best of your ability.
DO — check the audition notice to see if you should prepare a monologue or if you will be given sides to read at the audition.
DO — become familiar with the script.
If a monologue is required:
DO — choose something age and gender appropriate.
DO — choose something from a play rather than a monologue book.
DO — come well prepared with your piece memorized.
DONT — choose a monologue from a movie or one associated too strongly with a specific actor.
MOST IMPORTANTLY — this is community theatre. We are looking to build community through the arts. If all of the above fails, still SHOW UP! Every audition is a learning experience and a chance for you to grow as a performer. Directors are looking for directability first and foremost. Be flexible. Be willing to take healthy risks. A directable performer with positive energy, who will clearly be a team player, is far more valuable to a production than someone who is just technically proficient.
HAVE FUN! SEE YOU AT THE THEATRE!
TBTA Artistic Director